GI Combat #1

When DC cancelled Men at War and Blackhawks, did they really think a new War book would good idea? How about one that is pretty flat and dull, pandering and derivative? So there are two stories. The first is about combat troops facing dinosaurs for unknown reasons and the second is yet another version of the Unknown Soldier. The only point of the first half of this book is that people who like dinosaurs will generally buy anything with a dinosaur in it like the way ninjas and zombies sell books nowadays. Maybe there will be some point to it, but there wasn’t any point to anything in this story. The Unknown Soldier is just frustrating since Vertigo just ended their really good series and have seemingly wasted Justin Gray and Jimmy Palmiotti’s otherwise charming talents on a standard, flat war book of no real consequence. Sure this comic will sell a bunch of issues, but much of those sales will likely be based on the cover art by Brett Booth featuring a bunch of dinosaurs and absolutely no connection to the interior art.

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Dial H #1

Out of all DC’s new books, Dial H held the least personal appeal. I held out the least amount of hope but sometimes life can please and at least amuse and, apparently, so can Dial H. The series has a very unorthodox formula in the world of superheroes and secret identities; when you use a specific pay phone and dial H-E-R-O, it changes you into a random and completely bizarre hero with powers and costume and possibly an entirely new body! Questions arise now as to whether this will have a rotating lead or a single lead or will it be an anthology series? Any of the above would be welcome to this book whose format actually benefits from a monthly installment since each adventure would provide you with a burning desire to see what deranged and spectacularly unconventional superhero we’re going to get next!

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X-O Manowar #1

Part Gladiator, part Metroid and part Captain America and all together an entirely new beast of comic creation, the origin of X-O was fantastic even back in the nineties and since then there hasn’t really been anything like it. Valiant returns with one of it’s strongest titles carrying their banner into battle. Cary Nord is both a Canadian artist with a resume highlighted by his run on Darkhorse’s Conan and a good choice to tell the tell the story of a Visigoth Warrior in a fight to kill Romans, abducted by aliens, suited in a biotech suit of armor and (if we can judge by the original series) dropped off in present day. The only problem that presents itself in the first issue is that not enough happens! He doesn’t even get the armor! Not yet at least. That’s not much of a criticism since the storytelling telling is strong and consistent and builds character and mood, but in a world where comic readers are dwindling and people have short attention spans, comic price tags are high and Valiant wants to reclaim it’s place as a cornerstone Indy publisher, they could have charged the gate like they have something to prove, because they do. This is an industry that forgets pretty quickly and Valiant’s name to most is tantamount to an N64 Turok game and some crappy coloring to most people, if they remember them at all. Myself, I want all the success they deserve simply so I can get more X-O and Harbinger and Bloodshot and Archer & Armstrong, so enjoy this comic, ask your local retailer for more and hopefully they’ll keep building this very cool mythology.

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World’s Finest #1

Straight out of the pages of Earth 2 #1, Supergirl (Powergirl) and Robin (Huntress) are stuck in our (the new DC 52) universe. We catch up on just how they’ve been spending the last five years and how they rename themselves before throwing down with the Irradiated man or at least starting to as it’s the issue’s cliffhanger. I was honestly hoping for a little more in this issue, having read it immediately after Earth 2, but this story isn’t a universe ending epic and much more of a buddy/team up book with a leisurely pace by comparison. George Perez handles art chores having finished his brief stint on Superman and I can’t say that this book is the best fit for him either. Perez has a nice style but so does Alex Ross and just because he’s willing, not every book is the right book for his style. With his classic appeal and almost retro essence, I’d like to see him pencil something akin to DC’s version of Avengers 1959, a book where his style adds to the aesthetic rather that pull you away from the cutting edge of the next generation. So World’s Finest wasn’t the world’s worst, but it could still be worlds better. Even so, we’re only on issue one and the world’s watching.

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Earth 2 #1

Having just finished reading the Apokalips invasion of Darkseid’s Parademons in Justice League Vol.1, I unwittingly stumbled into this book as a perfect follow up! What would have happened if it all didn’t work out? A parallel Earth has failed to defeat the invaders and have struggled to survive for the past five years. We see the last moments of Batman, Wonder Woman and Superman and watch as Supergirl and Robin (Soon to be Huntress) escape this world to their own book World’s Finest. Jay Garrick also becomes the Flash in a very fresh origin that is easily the coolest part of this first issue. Writer James Robinson still has some tricks up his sleeve and seems to be putting more into this first issue of E2 that Johns did into the entire first run of Justice League, winding up the second wave of DC titles and breathing new life into the JSA leaving us with only one question; why not just call it JSA?

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Justice League Origins HC Vol.1

First on the shelf from DC’s new universe in collected hardcover format is the flagship title of Earth’s mightiest of the mighty! That’s right, Geoff Johns and Jim Lee! You thought I was referring to Supes and Bats and the rest? Well seeing the sales this book’s generated over the last six months and the numerous reprints of the first three, four, no five issues, you have to wonder if the characters or the creators are selling this book? It doesn’t matter too much in the end. The point? This book is built to be a crowd pleaser. If course that has positive and negative points if you’re looking for them. First off, the book reads fast, Flash fast, which is nice but also really simple. All the characters are there in good form –with the exception of GL who has just become an obnoxious Guy Gardner style jerk, and the patter is just as zippy as the pacing. Jim Lee’s art is as fantastic as ever but there is such little growth in his style, it’s like we’re still in the nineties or maybe these pencils were approximated by a holographic computer Jim Lee. Again, you could interpret this either way depending on you feelings/expectations on his artwork to begin with. Darkseid is a cool villain, but Johns has basically created a story that boils down to depth of a Joss Whedon Astonishing X-Men comic; Big bad shows up, fights ensue, witty banter in full effect, good guys win. Not much to it. Maybe that’s okay for Joss Whedon, but after all he’s done on Flash, Green Lantern, Booster Gold, JSA and Superman, I had higher expectations for Johns than a book tantamount to the Justice League Legion of Doom animated feature. That’s about as deep or original as we get here. My only real criticism is that seven or eight years ago, Grant Morrison started JLA with a new number one and he knocked it out of the park! He wrote a story where the League is taken out by a new super team and the only one left is Batman, and it’s Batman who saves the day, centime his reason for being on a team with the greatest capes the world has ever known! By comparison or even in it’s own right, Johns’ book makes you wonder why Batman is on the team by the reader and enforced by the characters who are constantly questioning why he’s even there! Like a summer blockbuster film, Justice League Vol. 1 is over hyped and underwritten but still a fun ride and there’s always a place for that on your shelf, right?

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The Town

Ben Affleck is such a fan of Michael Mann’s Heat that he took it upon himself to remake the entire movie! There’s nothing terribly original about the movie other than it’s set in Boston which is Affleck’s home town and an unsettling similarity to the Departed which only came out a few years ago.

The thing about it is this; it’s pretty damn good. It’s good in regards to performance both by Affleck and his supporting cast. It’s well conceived, shot, and after almost two hours you’re every bit as interested in the characters and the outcome as when it started. It’s only too bad that “Heat” is still a better movie.

This is a straight up heist movie. No frills or gimmicks. Truthfully, even those of us who love Heat could use a little more of the genre in our collections. So let’s see… It breaks down like this; Affleck is the head of a crew of bank robbers who are terribly professional and ruthless. Affleck wants to get out of the life. He sees his father in jail and he knows he’ll end up in the next cell if he doesn’t get out soon. He meets a nice girl who doesn’t know what he does for a living and pins his hopes of a new life on leaving with her. Unfortunately, there are Feds looking for his crew and sooner or later they’re going to catch up with him, (most likely in the street with automatic weapons firing) and then he’ll never get that fresh start he was looking for.

Still totally worth watching and fully enjoyable, only small qualms present themselves for discovery. There isn’t as much of the technical ‘how did they pull this off’ as you’d like. Instead, we get told that there will be a heist and then Affleck and his crew have police uniforms, utility vehicles and intricate knowledge of every detail of the heist, but without any set up showing how they had prepped. This is a character piece that should really focus on the human relationships of the characters, except these themes are better explored by Michael Mann who also knew how to end his film properly.

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FCBD 2012 Preview

Valiant 2012 Publisher: Valiant

Synopsis: This is a collection of samples from upcoming Valiant relaunch: XO Manowar, Harbinger, Bloodshot, as well as interviews with four of the creators of these books.

Review: Valiant coming back is cool. To see their titles updated like this is even more cool, but the samples we’re given are so short, it was almost pointless to read! I suppose the point was to whet your appetite for more and while it certainly does that, the creator interviews were far more interesting. The samples gave you an idea of the high caliber of the artwork. The interviews made you feel like these titles were in safe hands. Not much of a comic, more a neat promotional flyer worth checking out.

Mouse Guard, Labyrinth and Other Stories Publisher: Archaia

Synopsis: Archaia offers up a hardcover anthology of appetizers, short stories from the worlds of David Petersen’s Mouse Guard and Jim Henson’s classic Labyrinth universe, among others.

Review: A nice little collection of stories, the strongest of which has to be Royden Lepp’s Rust, followed closely by Cow Boy. Not too sure about Dapper Men, very surreal, almost too much so. Though its strangeness might be more a result of the short format. Some warm-fuzzy childhood memories came flooding back with the Labyrinth story. Great to see those characters again, particularly the Worm. Solid writing across the board, though the art tends to vary (wasn’t sold on Pirate Girl’s b&w, cluttered look).

Voltron Force Publisher: Viz Media

Synopsis: The premise for the cartoon this ties into, is that Voltron has disappeared years ago and has now returned with a cast of kids who pilot the robotic lions. The FCBD book has them training in space against mock-ups of their past foes and teases us with the next big threat they’ll be facing.

Review: This book is in digest format and is a full story. Unfortunately, it’s a perfect companion to the current animated series, which is disappointing when compared to other new shows like Transformers Prime or Young Justice. This book reads like a Disney Adventures insert and is best left to kids.

Avengers: Age of Ultron #0.1 Publisher: Marvel Ent.

Synopsis: Sent on a mission for S.W.O.R.D. (it’s like S.H.I.E.L.D. but for space), Spider-Woman goes missing, and now it’s up to The Avengers to find her. Cap assembles Iron Man, Wolvie, Beast, Moon Knight and a bunch of others to track her down and when they do, they find Ultron!

Review: There wasn’t much mystery to the book since Ultron’s name was in the title, but it was still a lot of fun. You go to events like FCBD to pick up free Bendis comics! Free Bryan Hitch artwork! Great dialogue, good artwork, big fights and an accessible jumping on point for new readers, and a cool teaser for current readers looking ahead! Possibly a pitch perfect offering for FCBD!

The Transformers #80.5 Publisher: IDW Publishing

Synopsis: An issue that picks up after #80…which was released in 1991!

Review: Quintessential Transformers comics writer Simon Furman has been penning “more than meets the eye” stories for every publisher that manages to get their grubby little mitts on the Transformers license (that includes Marvel, Dreamwave, and current home IDW) but G1 continuity is his baby. Want to know what happened after the re-population of Cybertron? Want a briefing on what led to it being depopulated? Well, #80.5 doesn’t have a ton of new story but it is a good catch-up and set-up.

Green Lantern / Young Justice Super Sampler Publisher: DC Comics

Synopsis: This book showcases comic spin-offs of DC’s two current hit animated shows. The flip side of the book contains a Superman Family Adventures story.

Review: The best of these three is GL, simply for having a complete story and a really odd choice of retro villain. The Superman side is cute like an Archie comic, complete with lame jokes. Young Justice is the only incomplete “teaser” comic and it falls short on generating any real interest.

The New 52 Publisher: DC Comics

Synopsis: A sampler to peak readers’ curiosity as to where DC is going in 2012. Featuring snippets of G.I. Combat, Dial H, Earth 2, Batman Incorporated, World’s Finest, Ravagers and a look at next year’s big event, Trinity War.

Review: Sadly, what this book does not do is peak any interest. There’s a lot of talent in the book as listed on the cover: Jim Lee, Gene Ha, Kenneth Rocafort, Ivan Reis, Geoff Johns, and more, but with only a page or two for most of the titles, there’s hardly enough material to form any kind of opinion.

Star Wars / Serenity Publisher: Dark Horse

Synopsis: A split Star Wars and Serenity comic with a two-page Alabaster story in the middle.

Review: I hate to say it, but it feels like Dark Horse would have loved for Joss Whedon to write a Serenity story to capitalize off The Avengers buzz, but buzz also means being busy, so they got the next best thing, his brother Zack. Not only does Zack write the Serenity story here (which he has done on more than one occasion), but he also writes the Star Wars tale. The best part of both is that they focus on their oddly similar “rough around the edges” captains and their attachment to their respective ships. He even has Han and Mal utter a couple of the same lines of dialogue to make the point. The better of the two is the Serenity half simply because it is drawn by Fabio Moon. Not that Davide Fabbri does do a good job on the Star Wars portion (he does), but Moon is the straight goods.

Bongo Comics Free For All Publisher: Bongo Comics

Synopsis: This is a Simpsons flipbook with Spongebob on the other side, and a Sergio Argones quickie thrown in between.

Review: Fans of Sergio Argones will likely consider this book a must-have based solely on his contribution, but strangely enough the Spongebob Squarepants story was the most entertaining. The Simpsons comic was about as funny as a recent episode and the best part of this entire comic has to be The Simpsons cover that features the Comic Guy dressed in over twenty classic cosplay outfits. At least one of them will make you smile!

Megaman Publisher: Archie Comics

Synopsis: The basic origin story of Megaman, pretty self-contained.

Review: This is a kiddy book for sure, but the artwork is pretty tight and clean for an Archie Comics title. Expectations should be kept low, but it’s surprising how entertaining this book is.

Buffy / The Guild Publisher: Dark Horse

Synopsis: One side is a Buffy story and the other is The Guild.

Review: I had to look very hard to see the positive in this book. The Buffy comic was just straight bizarre – she’s in space and fighting an Alien. I capitalized the “a” because, yes, I meant that very specific alien from that franchise that has nothing in common with Buffy. I don’t know whether it was supposed to be funny or if you really need to be reading Buffy currently to understand what was going on, but I was lost. Now, The Guild may appeal to RPG fans and WOW players, but to everyone else, it isn’t going to fly. So, where is the gold, you ask? In the very centre of the book is a one-page write-up by DMZ writer Brian Wood giving us a written description of his new series The Massive, which sounds very cool.

Witchblade: Unbalanced Pieces Publisher: Top Cow

Synopsis: The Top Cow Universe is being rebooted (a la The New 52) under the umbrella Top Cow Rebirth and this is your jumping on point.

Review: Top Cow is built on popular characters The Darkness and Witchblade, but their luster has dulled considerably in the last half decade. So, a refreshing of this continuity that had become quite convoluted (13 Artifacts anyone?) and redundant seems like a good idea. Problem is if this FCBD offering is any indication, they don’t have a new look for the characters or much change in the way of the overall storyline.

Asylum Press Sampler Publisher: Asylum Press

Synopsis: Indie publisher gives us a taste of four of their horror titles: Shotguns, Cigarettes & Trench Coats, Farmhouse, Chopper, and Black Powder.

Review: I’m not hugely into horror comics. Basically, my interest and knowledge starts and ends with Robert Kirkman, Steve Niles, Bernie Wrightson, and Ben Templesmith. But we wanted to include a horror comic here to balance out the kiddy fare. Out of the selections we’re given, Farmhouse and Chopper seem to hold the most promise. Farmhouse is about a mental asylum with an old farmhouse re-purposed as an art studio. Sounds innocent enough but you can tell within a couple pages that shit is going to hit the fan. In Chopper we follow a couple young girls to a biker bar for a metal concert and we are introduced to a new drug called Stairway To Heaven. However, we don’t get to see what the drug does or how it will bring the horror on. Fans of the macabre should definitely take note of Asylum.

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The Shadow #1

The first issue of a new comic series is a very strange thing these days. In the past, one comic book would tell a story from beginning to end. We’d see the conflict and marvel at the resolution and all within twenty two pages. As decades pass, this art form has evolved and become- like it’s readership -more mature and complex. Stories have layers beyond the righteous triumphing simply over evil. Characters are deeper and plots tend to unfold at their own pace. This is a natural stepping stone that introduced us to the now industry standard graphic novel where (hopefully, but not always) a complete story is collected. And this is where we’re stuck with the first issue of the Shadow.

I can tell you that Garth Ennis is a consistently good writer or that this book has promise, but unfortunately there isn’t much in this first issue to judge in terms of its future. If you know anything about the Shadow, you already know he’s the pulp precursor to Batman. You know his alter ego; playboy Lamont Cranston has the power to cloud men’s minds and “know what evil lurks in the hearts of men”. Beyond that and his trademark fedora and chrome pistols, Ennis hasn’t given us much to discuss. Each issue boasts a bevy of beautiful alternate covers by some of the industry’s best; Jae Lee, Alex Ross and John Cassaday and the interior art by Aaron Campbell suits the book pretty well. So far they has it all the right pieces in play, they have the right tone and have set the right mood, but with a likely five more issues to go for this first story arc, it’s still anyone’s guess whether it’ll be genius or bitter fruit bore by the crime of poorly delivered pulp. Only Ennis knows!

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The Raid: Redemption

Action movies as a genre have been intravenously jacked into Asian cinema since the nineties to stay alive. For years it was the real martial artists from China who did all their own stunts on screen before the latest Thai sensation Tony Jaa emerged with a few flicks to impress. Fans have been left somewhat emaciated in recent years after Ong Bak 2 fed us such confusing drivel that the Protector’s career has never really recovered. Open on the Raid; a squad of police men are sent into an apartment building to apprehend a drug kingpin and all round buy guy gangster and clear the building floor by floor. Of course almost everyone in the building is rotten and desperate to stay out of jail and within five minutes, the entire plan goes tits up. The movie almost never stops, never lets you catch your breath or gives you a moment where you could get bored. It sustains ultimate violence and stellar choreography scene after scene and somehow avoids being repetitive. Each fight is fresh and more entertaining than the last. The Raid hits you in the face with a machete to wake you up from Hollywood’s special effects ridden facsimile fights of green screens and actors on fly wires and you thank it afterwards. This is one movie they could never remake for the sheer adrenaline and unapologetic brutality; something that couldn’t be made by committee or with the “help” of test screenings and that has made the Raid the best action movie of the last ten years, hands down.

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